Saturday, November 13, 2010
Thursday, November 11, 2010
Snowy Snapshots
As I got out of my car at some point during the day, I looked up and saw a clearing in the wispy clouds about the Wasatch front. There was a peak so definitive that from far below I could see individual branches. They looked so perfect frosted in the snowy layers that clung to each pine strand and needle, with the clouds to frame the moment, the blue sky the backdrop, and a moment for me to pause and stare: until I realized I had to go to work. So I walked away from my picture, and its cast now in the brief respite of my mind.
The joy of poetry is that it can bring these eidetic images back to us. I am had the library looking over sample questions for the Praxis II that I'm taking on Saturday, when this poem was listed as part of a question, and it opened my former picture, once again for just a moment.
Robert Frost's Stopping By Woods On A Snowy Evening:
Whose woods these are I think I know. - A
His house is in the village, though; - A
He will not see me stopping here - B
To watch his woods fill up with snow. - A
My little horse must think it queer - B
To stop without a farmhouse near - B
Between the woods and frozen lake - C
The darkest evening of the year. - B
He gives his harness bells a shake - C
To ask if there is some mistake. - C
The only other sound's the sweep - D
Of easy wind and downy flake. - C
The woods are lovely, dark and deep. - D
But I have promises to keep, - D
And miles to go before I sleep, - D
And miles to go before I sleep. - D
Like Frost, I feel like I have miles to go before I sleep. Miles to go. And many virtues to acquire, patience to be developed, and hope to be embellished by the break in the clouds or in the village. Somehow the snow and clouds, their whiteness, cleans my air and let's me breathe in: small walking moments in the run of my life.
The joy of poetry is that it can bring these eidetic images back to us. I am had the library looking over sample questions for the Praxis II that I'm taking on Saturday, when this poem was listed as part of a question, and it opened my former picture, once again for just a moment.
Robert Frost's Stopping By Woods On A Snowy Evening:
Whose woods these are I think I know. - A
His house is in the village, though; - A
He will not see me stopping here - B
To watch his woods fill up with snow. - A
My little horse must think it queer - B
To stop without a farmhouse near - B
Between the woods and frozen lake - C
The darkest evening of the year. - B
He gives his harness bells a shake - C
To ask if there is some mistake. - C
The only other sound's the sweep - D
Of easy wind and downy flake. - C
The woods are lovely, dark and deep. - D
But I have promises to keep, - D
And miles to go before I sleep, - D
And miles to go before I sleep. - D
Like Frost, I feel like I have miles to go before I sleep. Miles to go. And many virtues to acquire, patience to be developed, and hope to be embellished by the break in the clouds or in the village. Somehow the snow and clouds, their whiteness, cleans my air and let's me breathe in: small walking moments in the run of my life.
Friday, November 5, 2010
Sunday, October 31, 2010
Great Minds Think Alike
Dear Emma,
While some people may think that this title references my sister, it truly is a reaction and personal response to my friend Jane Austen. My roommates and I ate at the Olive Garden tonight, where we were waited on by a British server from Liverpool. Much to our astonishment and dismay, he didn't know who Jane Austen was. After this discovery, we determined to watch Emma when we got home since we have been meaning to for some time. I love this story and find it hilarious that two hundred years after Austen penned this tale of silly girls and their romances, the truths it reveals about women is still true. Almost embarrassingly so. But it is for this reason that we love her stories. A friend asked me why people love her works; he says that they're boring even though he's a fellow English teaching major. While I credit him for not jumping on the bandwagon, I believe that women appreciate Jane's stories because we relate to her characters' thoughts and feel validated that their thoughts so long ago echo our own. Jane's witty character development and analysis are stirring indeed but require patience to get along with her language.
Thanks Jane for a lovely evening,
Sarah
P.S. I am just noticing the formality of my language now; it must be directly related to the fake British accent running through my head as I type this in the good ole Austen fashion. I hope that the old adage "great minds think alike" is true.
While some people may think that this title references my sister, it truly is a reaction and personal response to my friend Jane Austen. My roommates and I ate at the Olive Garden tonight, where we were waited on by a British server from Liverpool. Much to our astonishment and dismay, he didn't know who Jane Austen was. After this discovery, we determined to watch Emma when we got home since we have been meaning to for some time. I love this story and find it hilarious that two hundred years after Austen penned this tale of silly girls and their romances, the truths it reveals about women is still true. Almost embarrassingly so. But it is for this reason that we love her stories. A friend asked me why people love her works; he says that they're boring even though he's a fellow English teaching major. While I credit him for not jumping on the bandwagon, I believe that women appreciate Jane's stories because we relate to her characters' thoughts and feel validated that their thoughts so long ago echo our own. Jane's witty character development and analysis are stirring indeed but require patience to get along with her language.
Thanks Jane for a lovely evening,
Sarah
P.S. I am just noticing the formality of my language now; it must be directly related to the fake British accent running through my head as I type this in the good ole Austen fashion. I hope that the old adage "great minds think alike" is true.
Thursday, October 28, 2010
Character
Halloween beckons.
It calls to my Inner child,
Which is why today,
four days before the Blessed day,
I am dressed as Nala,
A young lioness ready to pounce and pin.
Nala takes my reserved self and makes it
fiesty,
hearty,
and firesome,
which led me to tomorrow:
Katniss, the firegirl,
Young heroine of my heart.
I'm not the Mockingjay,
but I dream of being
Firegirl.
I can see my arms ablaze with fabric,
my bodice aflamed in
red,
orange,
and yellow.
My hands burning their gloves.
on Friday, I will be someone.
Some identity I love.
People may not
Recognize the
Nala
or
Katniss,
But on the inside:
I am changed.
I am a character.
I see many characters.
I can be many characters,
Characterized and selected
by my
Secular Worship.
It calls to my Inner child,
Which is why today,
four days before the Blessed day,
I am dressed as Nala,
A young lioness ready to pounce and pin.
Nala takes my reserved self and makes it
fiesty,
hearty,
and firesome,
which led me to tomorrow:
Katniss, the firegirl,
Young heroine of my heart.
I'm not the Mockingjay,
but I dream of being
Firegirl.
I can see my arms ablaze with fabric,
my bodice aflamed in
red,
orange,
and yellow.
My hands burning their gloves.
on Friday, I will be someone.
Some identity I love.
People may not
Recognize the
Nala
or
Katniss,
But on the inside:
I am changed.
I am a character.
I see many characters.
I can be many characters,
Characterized and selected
by my
Secular Worship.
Monday, October 25, 2010
FHE-Pumpkin Painting turned to Face Painting for those with a small attention span...
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